Fujinon 75-400 Premier T2.8-3.8
Premier as in Premium, opening night Premiere, Preeminent, Pinnacle, Paramount, Particular – especially when a Premier zoom lens matches the performance of a Prime.
Cinematographers ask for the new FUJINON Premier PL
75-400 mm T2.8-3.8 Zoom when they need to cover a wide range from medium focal length to long telephoto.
This is an important lens for sports, cars, action, wildlife, commercials, exteriors, compression shots, slow-motion, and other situations where you want a long lens, with a fast aperture, in a small and light body. It eliminates lots of scrambling to change lenses at magic hour.
FUJINON Premier PL lenses were designed for highly critical customers. You know who you are – cinematographers and special effects supervisors sitting in the front row of the largest theaters, critiquing every nuance. Yes, you practitioners of the art of green screen, big screen, epics and plates. Here’s a complete set of zooms that can hang with the best primes. FUJINON’s family of four Premier PL 4K+ zoom lenses: 24-280 mm T2.6; 14.5-45 mm T2.0; 18-85 mm T2.0; and 75-400 mm T2.8-3.8 are identified by their distinctive gold band.
Originally designated as FUJINON HK 4K+ zooms, the
“Premier” name was selected to be all-inclusive for all current 2K, 4K, 8k, and 35mm film users as well.
All four FUJINON Premier PL 4K+ zooms have 136 mm front diameters. Focus, zoom, and iris gears are all in the same position -which speeds up lens changes, since follow focus accessories and lens motors can stay in the same position on the rods. Focus barrel rotation is a uniform 280 degrees on all four lenses.
| Focal Length | T-Stop | Minimum Focus | Image Coverage | Length | Front Diameter |
|---|---|---|---|---|---|
| Fujinon 75-400mm | T2.8-T3.8 | 6′ 6″ | – | – | 136mm |