Angenieux 15-40 Optimo T2.6
Angenieux 15-40 Optimo MAIN FEATURES 21 – 58 mm T3.7 (with 1.4x) 30 – 80 mm T5.2 (with 2x) Field of view for 35 mm Academy (22×16 mm) Focal Length. … Continued
Angenieux 15-40 Optimo MAIN FEATURES 21 – 58 mm T3.7 (with 1.4x) 30 – 80 mm T5.2 (with 2x) Field of view for 35 mm Academy (22×16 mm) Focal Length. … Continued
Angenieux 16-42 DP Rouge T2.8 Focal Length T-Stop Minimum Focus Image Coverage Length Front Diameter 16-42mm DP Rouge T2.8 2′ 31.4mm 190mm 114mm
Angenieux 17-80 Optimo T2.2 Extremely fast aperture of T2.2 with no ramping 329° focus rotation with over 50 precise focus witness marks and minimal breathing Superior optical performance rivaling … Continued
Angenieux 19.5-94 Optimo M AIN FEATURES Enhanced version of the former Optimo 17-80 with larger image circle and longer focal length • Ideal companion to the industry reference Optimo … Continued
Angenieux 24-290 Optimo MAIN FEATURES Industry reference high magnification cinema zoom lens since 2001 Class leading image quality across the entire 12x zoom range Extremely fast aperture of T2.8 with … Continued
Angenieux 25-250 HR T3.5 1962, the First 10x Zoom for 35mm Movie Cameras, the 25-250mm f/3.2 The 10x version for 35 mm appeared in 1962, a 25-250mm f/3.2 T3.9 … Continued
Angenieux 28-76 Optimo MAIN FEATURES Superb image quality from T2.6 open aperture Compact and very light: 4.2 lbs – 1.92 kg Identical center of gravity on all Optimo lightweight … Continued
Angenieux 30-80 DP Rouge Focal Length T-Stop Minimum Focus Image Coverage Length Front Diameter 30-80mm DP Rouge T2.8 2′ 31.4mm 184mm 114mm
Angenieux 45-120 Optimo MAIN FEATURES Superb image quality from T2.8 open aperture Compact and very light: 4.3 lbs – 1.9kg Identical center of gravity on all Optimo lightweight zoom lenses … Continued
Arri / Fujinon Alura 18-80 T2.6 Outstanding Optical Performance High resolution, high contrast Even field illumination Minimized ghost, flares and veiling glare due to FUJINON multi-layer EBC coating Greatly reduced … Continued
ARRI Alura 45-250 T2.6 Outstanding Optical Performance High resolution, high contrast Even field illumination Minimized ghost, flares and veiling glare due to FUJINON multi-layer EBC coating Greatly reduced chromatic … Continued
ARRI Zeiss 100mm Master Macro For those who want the ultimate in image quality for table top cinematography, product shots, close-up inserts on feature films or any other applications that … Continued
Arri Zeiss 16.5-110 Master Zoom T2.6 Focal Length T-Stop Minimum Focus Image Coverage Length Front Diameter 16.5-110 Master Zoom T2.6 4′ 30mm 442mm 165mm
ARRI Zeiss Master Primes The Master Prime lenses have been jointly developed by ARRI and ZEISS. They are both fast and have an optical performance surpassing that of all … Continued
AARI Zeiss Ultra Prime lenses Highest performance over the entire focusing range. ARRI / ZEISS Ultra Prime Lenses have the widest focal range of prime lenses giving you the flexibility … Continued
Canon 17-120 T2.95 The CINE-SERVO 17-120mm T2.95-3.9 lens provides cinematographers and broadcast operations with a compact, lightweight design (only 6.4 lbs.) using Canon optical elements, while offering outstanding performance … Continued
Canon K35 Lenses The 18mm, 24mm and 35mm lenses were the first in the range of Canon K35 lenses to be converted into TLS cam form. Classed … Continued
Canon K35 25-120 T2.8 This vintage Canon K-35 25-120mm T2.8 Macro zoom lens covers a great range, has a fast maximum aperture of T2.8 over the entire zoom range, offers … Continued
Cooke Mini S4i Primes The miniS4/i primes (T2.8 to T22 aperture) incorporate everything that today’s filmmakers require: smaller, lightweight lenses that offer the same resolution, optical quality and reliability as … Continued
Cooke S2/S3 Speed Panchros (TLS) A standard by which other prime lenses were measured between the 1930’s and 1950’s, the Cooke Speed Panchros were estimated by George Eastman to have … Continued
Cooke S4i Primes Minimum 6 Lenses in a set The S4/i series are a fully comprehensive lineup of 18 matched focal lengths. S4/i lenses are designed to provide maximum performance … Continued
Cooke S5i Primes Minimum 6 Lenses in a set • See in the dark like never before with T1.4 speed and a focus ring that illuminates when you need it. … Continued
Fujinon 14-35 Cabrio T2.9 FUJINON ZK2.5×14 is a wide angle zoom lens with a focal length covering from 14 to 35mm.Thanks to the detachable servo drive unit on the ZK … Continued
Fujinon 18-85 Premier T2.0 Primarily Dramatic Fujinon Premier PL Cine zoom lenses are as fast as most Primes and just as sharp. They speed up production by reducing time spent … Continued
Fujinon 19-90 Cabrio T2.9 FUJINON ZK4.7×19 is a standard zoom lens with a frequently-used focal length covering from 19 to 90mm.Thanks to the detachable servo drive unit on the … Continued
Fujinon 25-300 Cabrio T3.5 The FUJINON ZK12x25 offers the industry-leading12x range that covers the most frequently-used 25mm wide angle to 300mm on the telephoto end. With its advanced optical … Continued
Fujinon 75-400 Premier T2.8-3.8 Premier as in Premium, opening night Premiere, Preeminent, Pinnacle, Paramount, Particular – especially when a Premier zoom lens matches the performance of a Prime. Cinematographers ask … Continued
Fujinon 85-300 Cabrio T2.9 ZK3.5×85 is a telephoto zoom lens with a frequuently-used focal length covering from 85 to 300mm.Thanks to the detachable servo drive unit on the ZK … Continued
Fujinon Alura 15.5-45 T2.8 Both, the ARRI Alura 15.5-45/T2.8 and the ARRI Alura 30-80/T2.8 share the unique characteristics that have made the existing Alura Studio Zooms (18-80/T2.6 and 45-250/T2.6) already … Continued
Fujinon Alura 30-80 T2.8 Both, the ARRI Alura 15.5-45/T2.8 and the ARRI Alura 30-80/T2.8 share the unique characteristics that have made the existing Alura Studio Zooms (18-80/T2.6 and 45-250/T2.6) already … Continued
Kowa Cine Prominar Primes Manufactured in the late 1960’s, these lenses are known as the Japanese version of the Super Baltars. Optically, they are sharp with low contrast, and have … Continued
Leica R Primes (Rehoused by GL Optics) The Vintage Leica “R” lens set represents a unique combination of sharpness, creamy fall-off, and perfect bokeh elements. With today’s digital sensors, … Continued
Leica Summicron The Leica Summicron-C lenses bring much of the look and feel of the Summilux-C lenses but with one less stop and at a much lower cost. They retain … Continued
Leica Summilux The goal of the Leica Summilux-C cine lenses was lofty from the start. Take everything known about modern lens design, then perfect it and beautify it until it reaches the … Continued
Focal Length T-Stop Minimum Focus Image Coverage Length Front Diameter 14-24mm Ruby T2.8 12″ – 138mm 110mm Nikkor 300mm T2.0 9″ – 222mm 128mm
Zeiss Compact Primes Canon EF Mounts Available The ZEISS Compact Prime and Zoom lenses are the world‘s first cine lenses designed for all types of cameras (HDSLR to high-end digital movie … Continued
Zeiss Super Speed MK II Primes Focal Length T-Stop Minimum Focus Image Coverage Length Front Diameter 18mm T1.3 10″ – 95mm 80mm 25mm T1.3 10″ – 65mm … Continued